Call for Scores

4 October – 20 December 2017 for selection and performance between 12 – 20 May 2018

Call for Scores is an open competition for music to be performed at the next Festival. Since the first Call for Scores in 2010 we have received hundreds of new compositions from around the world, both from established composers as well as from those whose careers are just beginning. All composers, no matter your age and level of experience, are warmly invited to submit new compositions. We also accept commercial submissions of newly published contemporary music.

Churches across London are invited to select music from Call for Scores to include in their services. These will principally be Choral Eucharist and Choral Evensong services that are sung on the opening and closing Sundays of the Festival. In addition to these services, we are interested in new music for Compline, sung at St Pancras Church on Monday evening of Festival week. On certain occasions, Call for Scores submissions may also be premiered at concerts and recitals.

  • Musical items for Choral Eucharist include Introits, Masses, and Motets.
  • Musical items for Choral Evensong include Introits, Preces & Responses, Canticles, and Anthems.
  • Musical items for Compline include settings of the Nunc Dimittis, and settings of Compline hymns such as Te lucis ante terminum and Save us, O Lord.
  • With the exception of Compline, all services include hymns and organ voluntaries, and we welcome submissions of new hymns and works for solo organ.

Submitting to Call for Scores

We offer two ways to submit new music to Call for Scores.

  • Personal submissions of unpublished works. All composers are welcome to submit one or more unpublished works to Call for Scores. You acknowledge you hold the copyright of your submissions, and you agree to grant us the right to distribute and reproduce your scores for the purpose of performance as part of the LFCCM. We then liaise with participating churches to ensure that as many qualifying submissions as possible receive a performance as part of the Festival.
  • Commercial submissions of published works. Commercial publishers are welcome to submit new publications to Call for Scores. You agree to grant us the right to distribute your scores, strictly for the purposes of review as part of the LFCCM, to participating churches. You are encouraged to watermark your scores. We then liaise with interested churches to guide them through the process of submitting a purchase order directly to you.

We generally receive many more pieces than we have the possibility of performing. Please consider the following guidelines carefully:

  • Pieces for choir should be scored for SATB or SSATB with no divisi. Both accompanied and unaccompanied pieces are accepted, with the exception of music for Compline, which should be unaccompanied.
  • We can also accept shorter pieces for use as introits scored for upper or lower voices alone, though these should be unaccompanied.
  • Music should be appropriate for regular use in Church services, written at a level of difficulty that is appropriate for a single rehearsal before each service.
  • Music should be submitted as a PDF. A link for submitting your composition can be found at the bottom of this page.
  • The composer should gain permission to use any texts currently under copyright before submitting their entry.
  • Submissions should be accompanied by a brief biography and any composition notes you wish to add.
  • Works might celebrate, reflect or focus upon the season of Easter, the establishment of the church, the life of St Pancras or of saints in general, or Pentecost.
  • We are looking for works which are idiomatic and effective; works which are written to be performed in services, to be contemplative, inspiring, uplifting and which are able to act as a point of focus.
  • Some of the most effective works are comparatively simple; this is particularly important for works that we hope will become a regular feature in the repertoire of church choirs.

Make a Personal Submission of unpublished works where you, the composer, hold the copyright

Make a Commercial Submission of published works where the publisher, not the composer, holds the copyright